The answer for the world art market during the pandemic storm actually existed a long time ago, before museums even thought of conducting virtual tours as ELLE discussed in the previous issue.
Just one click away
David Quiles Guilló, founder of “Wrong Biennale”, once shared: “Anything online is just a click away.
Just as Guilló described, technology increasingly makes online art exhibitions and fairs more attractive, eye-catching and complete with many experiences.
David Quiles Guilló’s revolutionary idea, thought to be applicable only to a phenomenon called `Wrong Biennale`, suddenly became the perfect solution for the first half of 2020, when the world faced an epidemic and a series of disasters.
The Tate Museum also quickly turned an exhibition of Andy Warhol’s works into a video tour to attract audiences.
Opportunities for new artists
Younger curators also quickly realized that the epidemic was a golden opportunity for them to compete with galleries, museums, and exhibition centers that have long held an important position in the art world.
The exhibition “Well Now WTF?”
The online world is different, its space is infinite, and its execution time can last forever, it can even be a monthly, weekly, daily activity – like how “
The question here is, with the proven success of the “Wrong Biennale” over nearly a decade, and the epidemic situation is unclear when it will completely improve, will this be a
Obviously, artists who have turned to the `technological` path like Yayoi Kusama will have an advantage over artists who create in traditional forms, or have passed away like Andy Warhol.